I’ve been using Adobe Premiere since I first started editing (nearly ten years ago), but I’ve been curious about Blackmagic’s DaVinci Resolve. With version 14 hot off the presses, I thought I’d dive in, give it a spin and see if it could replace Premiere as my go-to NLE. After 12 hours (straight), here are my thoughts:
Your ability to edit depends more on your familiarity with the NLE than the software itself, and as it’s a pretty standardized process, you won’t find major differences between programs. With both Premiere & Resolve, I was able to cut together a multicam within an hour or so of messing around; no need to open up a manual. But if you go beyond basic edits, Premiere shows its pedigree; its tools are more refined and offer more options for power users.
Continue reading “Gear Talk: Resolve 14 vs. Premiere Pro CC”
I’m a firm believer in using a small set of tools that you know inside & out, and this applies very strongly to my audio workflow. Rather than downloading massive plugin bundles, I’d highly recommend learning to work with just one DAW, one EQ, one compressor, and one reverb until you’re intimately familiar with the principles of each. 90% of my work is done with 4 very powerful pieces of software that I’ve listed below, and I’d highly recommend them to anyone who’s doing audio work at any level.
DAW // REAPER ($60)
Your DAW is your workflow, and workflow is the most important part of the mix process. I’ve been using REAPER for years, and I wholeheartedly recommend it for everything from editing podcasts & recording live shows to mixing & mastering studio albums. REAPER isn’t just cheaper than Pro Tools & Logic; in my opinion, it’s better. There are so many things I love about this DAW; free updates for life, incredible stability, fast & intuitive clip editing tools, flexible audio routing, great hardware integration, and perfect audio quality. I was able to use it competently after a few days of experimentation, but 2 years later I bought a hard copy of the manual and realized how many incredible features I hadn’t even discovered. Continue reading “Gear Talk: Quality Over Quantity”
It took me a while to realize this, but you can buy audio software secondhand. Used software is the same as new software, but with a little patience you can buy your plugins for far less than their sticker price (usually about 50% off). Here’s a list of places where you can buy licenses; all of these are reputable communities with checks & balances to make sure you’re not paying for pirated software.
I’ve been buying from these forums for years now and I’ve only had good experiences; that said, make sure you pay through a service that allows disputes in case anything falls through.